SYNOPSIS

For centuries Africa was marked by the violence of the slave trade and of European colonialism. After independence, the violence of colonial regimes gave way to domestic corruption and violence which have invariably steered the African continent towards a state of economic and social chaos.

Jacky, a university graduate with a law degree, searches in vain for a job corresponding to his qualifications. After a series of disappointments, he ends up taking up the profession of his parents: shopkeeper at the central market.

Irene Pesonka, a qualified civil servant in a government ministry, has to take on a second job selling doughnuts at a roadside stand just to make ends meet.

Pascale Marthine Tayou, a sculptor and poet, finds his working material in the huge piles of garbage which clog the streets of Yaoundé, capital of Cameroon. He dubs his update on arte povera "slum art": the artistic expression of the decrepit state of Cameroonian society.

The stories of these three individuals describe the chaos of urban life in Cameroon today. At the same time they illustrate the vital role played by the "informal" economic sector in which more and more Cameroonians find themselves obligated to operate.

HEAD IN THE CLOUDS continues the refection that started with the documentary AFRICA : I WILL FLEECE YOU.
HEAD IN THE CLOUDS deals with the issue of violence, the everyday violence, resulting from the chaos with which Cameroon has been struggling since the colonial period. Today, the streets of Yaoundé, the capital, are overflowing with garbage -- a metaphor for Cameroon’s everyday mundane violence.
Through the stories of three characters, HEAD IN THE CLOUDS demonstrates how people find ways to resist.